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"Little Alien" Installation

→ Melanie Winning, United Kingdom

Installation, Fiberglass

14.2 W x 57.9 H in

Ships in a Crate

This work will ship in a secure wooden crate. Read More

$2,180

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


LITTLE ALIEN Vintage fibreglass mannequin reimagined with animal skull and wire. This lamp if placed near a wall will produce a special projected image. Standing on iron hairpin legs with wire shade. Little Alien inspired by Science Fiction Movies. An Edition of only one. A beautiful quirky piece ...

Year Created:

2021

Subject:

Mediums:

Installation, Fiberglass

Rarity:

One-of-a-kind Artwork

Size:

14.2 W x 57.9 H x 11.8 D in

Ready to Hang:

No

Mounting:

Free-Standing

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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Contact us.

Need more information?

Contact us.
Melanie  Winning

About the Artist

Melanie Winning

United Kingdom

I am a UK-based multidisciplinary artist working across painting, mixed media, and installation. My practice explores the intersections of memory, materiality, and place, examining how personal and collective histories are constructed, fragmented, and reimagined over time. Which includes the human art of masking.
I completed my Masters Degree in Illustration at Camberwell College of Arts in London, developing a research-led approach grounded in material investigation and critical reflection. This continues to inform my work supporting an ongoing engagement with contemporary cultural and social discourse.
My process is rooted in layering, erasure, and reconfiguration, creating surfaces that operate as visual palimpsests. Through this approach, I like to resist fixed narratives, offering spaces of ambiguity where meaning emerges gradually. My influence is subtle observations of landscape and environment, which I translate as lived experiences into abstract forms that evoke atmosphere rather than direct representation.
My Work has been exhibited in London, including at Medici Gallery and at The Welcome Collection in London. My work has also been featured in Reclaim Magazine, contributing to wider conversations around contemporary art and emerging practices.
My work has been described as “half dream, half reality,” often carrying a subtle dark undertone that runs through my visual language. I continue to develop my practice from my Manningtree Essex studio, exploring themes of displacement, belonging, and the shifting nature of perception.
My work invites a slower mode of looking, one that acknowledges uncertainty, material presence, and the quiet complexity of lived experience.

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