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"Aftermath triptych" Artwork

→ Angela Kathleen Stout, United States

Mixed Media, Oil on Fabric

30 W x 10 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$1,380

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


After the devastation of a catastrophic earthquake in Nepal, I answered a call to jury for a place in a multi-piece installation at the 2015 Art Basel, Miami. So moved by the photos of desolation, crumbled buildings, and the contrast of bright clothed people who scaled the rubble, I couldn’t just de...

Year Created:

2015

Subject:

Mediums:

Multi-paneled Mixed Media, Oil on Fabric

Rarity:

One-of-a-kind Artwork

Size:

30 W x 10 H x 2 D in

Number of Panels:

3

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Contact us.

Need more information?

Contact us.
Angela Kathleen Stout

About the Artist

Angela Kathleen Stout

United States

Angela Kathleen Stout is an American mixed-media artist whose work explores the relationship between perception, memory, material, and form. Working professionally since 2012, she creates dimensional paintings that occupy the space between painting and low relief sculpture.
Stout's process begins with the physical construction of the canvas. Using fabric and manipulated aluminum foil, she builds a rigid, textured surface that establishes the work's underlying topography. She then layers polymer elements, acrylics, spray paint, industrial enamels, and oil paints across the surface. The resulting variations in texture and depth allow light to become an active part of the work, altering its color, contours, and visual experience as the viewer moves around it.
Her visual work is informed by synesthetic perception. Stout often experiences spontaneous melodies, sequences, and color associations, and translates these internal experiences into physical form. This connection between sound, color, and structure has become a continuing thread throughout her practice.

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