

Mixed Media, Acrylic on Metal
36 W x 24 H in
Framed, Ready to Hang
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
I combine patinated and rusted sheet metal with acrylic painting on wood, stitching the metal into the surface to create a tactile fusion of materials. This mix of materials blurs the line between strength and subtlety, structure and softness. The juxtaposition invites reflection, encouraging viewer...
Year Created:
2023
Subject:
Styles:
Mediums:
Mixed Media, Acrylic on Metal
Rarity:
One-of-a-kind Artwork
Size:
36 W x 24 H x 2 D in
Ready to Hang:
Yes
Frame:
Brown
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United States.
Need more information?
Contact us.Need more information?
Contact us.Nicole Fedele is a multidisciplinary artist whose practice refuses to stay in one lane. For years she worked in two worlds. The intimate, tactile world of handmade jewelry. The expansive, layered world of mixed media painting. She never wanted to give one up for the other. Her recent work is the result of that refusal.
She cuts steel freehand with a plasma cutter, coaxing ornate, delicate forms from industrial sheet metal and mounting them slightly raised above abstract painted wood panels. In strong light, the metal casts shadows onto the surface beneath it. Those shadows shift with the viewer. The work is never fully still.
The tension between what is covered and what is revealed is the territory she returns to again and again. Metal as armor. Metal as adornment. The ornate protecting the fragile. The industrial made delicate. What lies beneath can be distress. What lies beneath can be beauty. Often, it is both.
She is still experimenting, still pushing the boundary between disciplines, still finding out what the combination of materials and light will do.
Recognition:
Showed at the The Other Art Fair
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