"UNTITLED (INVERTED BODY)" Artwork
Mixed Media, Charcoal on Other
12.8 W x 19.6 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
$110,070
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Forensic study on paper. The paper was first folded into boat forms, then submerged in Mediterranean seawater (collected off Calella, Barcelona), dried for 24 hours, and subsequently intervened with iodine, hydrogen peroxide, and charcoal. The inverted body position documents a recurring form in Med...
Year Created:
2025
Subject:
Mediums:
Mediums:
Mixed Media, Charcoal on Other
Rarity:
One-of-a-kind Artwork
Size:
12.8 W x 19.6 H x 0.1 D in
Ready to Hang:
No
Frame:
Not applicable
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Spain.
Customs:
Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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Ian Mont (Yamil Rodríguez Montaña, Cuba, 1972; Spanish nationality) is a visual artist and researcher based in Barcelona. He works in photography, installation, and archival research. His practice examines forced displacement, historical memory, and the contemporary Mediterranean as a space of disappearance.
He trained in photography at the Instituto Superior de Arte in Havana and left Cuba in 2006. Fifteen years of work, including seven solo exhibitions, remained on the island and were lost. He arrived in Catalonia undocumented, worked as a software engineer, and with his first paycheck bought a camera. Between 2007 and 2018 he built an extensive, unexhibited archive: the Catalan coast from end to end, migrant communities in cities and towns, and the food of the country that had taken him in. The apparent silence of that decadence was not an absence of work but an absence of circuit.
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