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"Components" Painting

→ Susan Carson, United States

Painting, Acrylic on Hardboard

20 W x 20 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$939

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This work on panel is part of my abstract realism series. Flashe, a vinyl acrylic paint, was used for its flat finish. The reference photo for this work was taken in Provincetown MA. The uncertainty surrounding this piece's identity has become an underlying theme in my work.

Year Created:

2018

Subject:

Mediums:

Painting, Acrylic on Hardboard

Rarity:

One-of-a-kind Artwork

Size:

20 W x 20 H x 1.7 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Contact us.

Need more information?

Contact us.
Susan Carson

About the Artist

Susan Carson

United States

My work grows out of an interest in simplification and perception, and in the space between abstraction and representation. Organizing visual information is central to my process.
My painting practice began with portraiture. Initially focused on capturing likeness, I developed an increasingly deliberate and reductive approach. Backgrounds became fields of solid color, and compositions were simplified, sometimes including only part of a face. As I became more conscious of the impact of color, I began to see areas within my portraits as potential paintings in their own right.
Abstraction felt like a natural progression. My background in graphic design continues to inform my practice, particularly in my use of both digital and hands-on tools to create and develop my work. My abstract work has ranged from balancing geometric structures with spontaneous gestures, to developing precisely controlled compositions. Throughout, I've explored how relationships between color and form can alter perception, create spatial ambiguity, and leave room for interpretation.
I live and work in Connecticut. My paintings have been exhibited in juried and group exhibitions and are held in private collections.

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