"Cranes Reverie" Painting
Painting, Acrylic on Paper
34.6 W x 44.5 H in
Framed, Ready to Hang
$4,368
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Cranes reverie above the motion of building and activity on the docks.
Year Created:
2024
Subject:
Mediums:
Painting, Acrylic on Paper
Rarity:
One-of-a-kind Artwork
Size:
34.6 W x 44.5 H x 0.4 D in
Ready to Hang:
Yes
Frame:
Black
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Germany.
Customs:
Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Contact us.
David Antonides
Born in Whitehorse, Yukon in 1958, David Antonides has studied in Europe, Canada and at the Art Students League of New York. His work is focused on water-based pigments - but in an approach that creates a weight and drama not normally associated with this typically transparent and fragile medium. Although he paints some studies in oil, the final works are completed in water media. The course of Davids work has lead to a focus on large format cityscapes and urban behavior. Water for me is a medium that intermediates the tangible with emotion and spirit. It flows between my intention and its own laws of nature and serendipity its a collaboration of sorts.Watercolour can make a strong statement and be monumental. It can have weight and gravity. I am searching to create a weight and drama not normally associated with this typically transparent and fragile medium. I want explore the contrast between the subtlety of complex color transitions and the strength of dense, robust marks. I believe that there is spirit and nature in the city. We can feel it, although we may not always know where to see it. Shapes and movement can express the essential experience we all innately attach to our familiar urban environment. I want to move away from rendering these environments, struggling not to describe them but to push the shapes far enough from the literal that -with the help of gallons of water - find what flows between objects, viewer and experience.
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