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"Emergence" Painting

→ Fabio Bonini, Italy

Painting, Oil on Pressed Cardboard

27.6 W x 39.4 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$1,420

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This work explores emergence as a physical and perceptual event rather than a narrative moment. The figure is not represented, but allowed to surface through erosion, tension, and instability of matter. The painting is executed in a single, uninterrupted process, without corrections or revisions. G...

Year Created:

2025

Subject:

Mediums:

Painting, Oil on Pressed Cardboard

Rarity:

One-of-a-kind Artwork

Size:

27.6 W x 39.4 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

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Contact us.

Need more information?

Contact us.
Fabio Bonini

About the Artist

Fabio Bonini

Italy

Fabio Bonini (b. 1965) is an Italian painter whose practice has been rooted in drawing and painting since childhood. He graduated as Maestro d’Arte from the Istituto Artistico P. Toschi in Parma.

Before fully committing to his own work, Bonini spent many years in art restoration and the antiques trade, working on churches and historic buildings. This background fostered a strong sensitivity to materials, surfaces and the visible effects of time—concerns that remain central to his painting.

He works mainly with oil, favouring direct, physical procedures in which images appear through erosion, instability and controlled loss rather than refinement. Other media—enamel, acrylic, charcoal, ink—have informed his approach, but oil is the medium in which his language is most concentrated.

His recent paintings focus on the female body not as an object of depiction, but as a field of tension between form and dissolution. Gesture, accident and the resistance of matter play a key role, leaving the process exposed and refusing narrative or illustrative closure.

Bonini does not work in fixed series. Each painting is conceived as a singular event: an open structure where the image holds its presence without explanation.

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