"Flock (study)" Painting
Painting, Oil on Plastic
8.5 W x 11.5 H in
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$1,335
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ABOUT THE ARTWORK
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This painting is a study for a series of figurative and existential portraits, first exhibited as part of Charles Harrison’s inaugural solo show in Cambridgeshire, England, in 2010. The series explores individuality and community, presenting a profound contemplation on darkness and light, and the in...
Year Created:
2010
Subject:
Mediums:
Mediums:
Painting, Oil on Plastic
Rarity:
One-of-a-kind Artwork
Size:
8.5 W x 11.5 H x 1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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Works displayed here are part of an archive of paintings, drawings and studies made by Charles Harrison from 2007-2017, many available for purchase for the first time. Pieces in this archive are in the process of being condition-checked and new works will be made available as part of this process.
Charles Harrison (b. 1986, Kenya) was a dynamic painter whose work explored the depths of human emotion and connection. Upon graduating in 2007, he captivated collectors and audiences alike, first gaining recognition with a series of sell-out exhibitions with Woodbine Gallery.
Harrison’s paintings are not portraits in the traditional sense but rather expressions of human experience—fluid, layered, and deeply introspective. His figures emerged from textured surfaces, built through an instinctive process of abstraction and realism. By layering colour, mark-making, and spatial depth, he created works that evoke the complexity of human interaction and perception.
Quoted at the time, Harrison commented “In these faces, I seek a kind of abstract realism—one that resonates both visually and emotionally. I want the viewer to feel a moment of recognition, as if their gaze is met and understood.”
With a growing international presence, the majority of his work is held in private collections worldwide, solidifying his reputation as an artist whose work speaks to the universal nature of human connection.
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