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"Inner Chamber" Painting

→ William A Viola, United States

Painting, Acrylic on Plastic

6 W x 8 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$315

→ Shipping Included

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


The orange border came first- a frame before there was anything to frame. Then the interior filled itself in. Small work, but it has its own private world inside.

Year Created:

2009

Subject:

Mediums:

Painting, Acrylic on Plastic

Rarity:

One-of-a-kind Artwork

Size:

6 W x 8 H x 1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Contact us.

Need more information?

Contact us.
William A Viola

About the Artist

William A Viola

United States

WILLIAM A. VIOLA
Painter · Colorist
Denver, Colorado

“My paintings don’t speak — they feel.”
Artist Statement
Color speaks before thought arrives. My paintings are not planned — they gestate. It may be weeks or months, but when a piece is ready to become alive, it comes whether I like it or not. I am less a painter than a witness to my own work. I consider myself a colorist above all else: someone who believes color carries emotional weight that language simply cannot reach. With over 60 works behind me, I paint because the feeling that drives me has never found another home.

Artist Bio
Born in Brooklyn, New York, and now based in Denver, Colorado, William A. Viola came to painting through a life lived close to art without yet making it. As Purchasing Manager at Lee’s Art Shop in New York — directly across from the Art Students League, where he also studied — he occupied a unique position at the intersection of craft, commerce, and creativity.
It was there that he developed personal relationships with some of the most influential figures in fine art materials, including Michael Harding and Robert Gamblin. Most significantly, his relationship with Mark Golden gave him direct access to the evolution of professional acrylic paint itself — experimenting extensively with Golden products at a time when the medium was being redefined. He didn’t just learn about paint; he learned what paint is from the inside out.
Now 68, William has spent decades quietly building a body of work that exceeds 90 paintings in oil and acrylic. Only now does he feel ready to share it. That patience is not hesitation — it is the same instinct that shapes his process: nothing comes before its time.
He considers himself a colorist above all else.

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