"Not Just Reproduction" Painting
Painting, Oil on Canvas
39.4 W x 59.1 H in
Ships in a Crate
This work will ship in a secure wooden crate. Read More
$1,450
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
The artwork titled "Not Just Reproduction" is a vivid and intricate exploration of the multifaceted nature of sexual expression, transcending the narrow view of sex as merely a means to reproduce. Through an elaborate mosaic of interlocking shapes and vibrant hues, the artist invites us into a conte...
Year Created:
2011
Subject:
Styles:
Mediums:
Painting, Oil on Canvas
Rarity:
One-of-a-kind Artwork
Size:
39.4 W x 59.1 H x 1.6 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Italy.
Customs:
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Contact us.
ARTIST | WRITER | INDEPENDENT RESEARCHER
I am an Italian artist, writer, and independent researcher whose work explores the relationship between visibility and invisibility across personal, social, political, and ecological landscapes.
Much of contemporary art tends to define artistic identity through recognizable visual languages, recurring aesthetics, or biographical categories. While these approaches can be valuable, I am interested in a different path. I do not see artistic identity as something that should be confined within a stable visual formula or a fixed set of subjects. For me, such expectations risk limiting the very freedom that art makes possible.
Rather than building a practice around a recognizable aesthetic signature, I work from a conceptual framework centered on visibility and invisibility. This perspective allows me to move across different media, subjects, and territories while remaining rooted in the same investigation. Whether I am working with painting, writing, dialogue, or site-specific interventions, I am asking variations of the same question: what remains unseen, and why?
Working through painting, site-specific projects, and writing, I investigate the hidden structures that shape what societies choose to see and what they allow to disappear. My practice is driven by an interest in memory, environmental change, identity, collective trauma, and the fragile connections between people, places, and systems.
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