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Painting, Ceramic on Stone

15.7 W x 15.7 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$1,020

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


ENG: The work, made on Etna lava stone, has no support to be hung because, at the collector's choice, it can be placed on a flat surface, applied to a wooden board or directly glued to a wall like a tile. The material of which it is composed is resistant to atmospheric agents, so the product can al...

Year Created:

2020

Subject:

Mediums:

Painting, Ceramic on Stone

Rarity:

One-of-a-kind Artwork

Size:

15.7 W x 15.7 H x 0.6 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Andrea Bonaccorsi

About the Artist

Andrea Bonaccorsi

Italy

ENG: I was born in Catania in 1985 and I live in Pedara, a town on the slopes of the Etna volcano.
I followed scientific studies graduating in 2016 in Building Engineering-Architecture, today I am an engineer with a passion for visual art and music.
My artistic work initially focuses on digital art and glitch art, with works that directly denounce the use of information technology. With the same common thread in mind, I explored various techniques, from watercolor to acrylic, reaching the processing of ceramics and majolica lava stone. This last material has allowed me to pursue the study of my figurative canons while maintaining a strong link with the territory.
The result of this experimentation is a plastic product that has characteristics similar to an image built with digital devices, through the use of "marbling" on fresh enamel, a technique that allows for effects similar to pixel sorting and datamoshing.
At the same time, ceramic sculpture has allowed me to shape works that can be traced back to digital modeling, with a strong reference to post-humanism.
ITA: Sono nato a Catania nel 1985 e vivo a Pedara, un paese alle pendici del vulcano Etna.
Ho seguito studi scientifici laureandomi nel 2016 in Ingegneria Edile-Architettura, oggi sono un ingegnere con la passione per l'arte visiva e la musica.
Il mio lavoro artistico verte inizialmente sulla digital art e la glitch art, con opere che denuncino in maniera diretta l’utillizzo del mezzo informatico. Con in mente lo stesso filo conduttore ho esplorato varie tecniche, dall'acquerello all'acrilico, giungendo alla lavorazione della ceramica e della pietra lavica maiolicata. Quest'ultimo materiale mi ha permesso di portare avanti lo studio dei miei canoni figurativi mantenendo un forte legame col territorio.
Il risultato di questa sperimentazione è un manufatto plastico che presenta caratteristiche assimilabili a un’immagine costruita con dispositivi digitali, attraverso l'utilizzo del “marbling” su smalto fresco, tecnica che permette di ottenere effetti simili al pixel sorting ed al datamoshing.
Parallelamente la scultura in ceramica mi ha permesso di plasmare lavori riconducibili alla modellazione digitale, con un forte riferimento al post-umanesimo.

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