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"The Automaton" Photograph - Limited Edition of 50

→ Melanie Winning, United Kingdom

Photography, Digital on Paper

16 W x 24 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$288

→ Shipping Included

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Inspired by Cirque du Soleil Fashion make-up and styling, by Mel Photographic image with Make-up and body paint, photographed in my studio. Limited edition fine art print . A cool Holywood Icon retro image

Year Created:

2021

Subject:

Mediums:

Photography, Digital on Paper

Rarity:

Limited Edition of 50

Size:

16 W x 24 H x 0.1 D in

Ready to Hang:

No

Frame:

Not applicable

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Melanie  Winning

About the Artist

Melanie Winning

United Kingdom

I am a UK-based multidisciplinary artist working across painting, mixed media, and installation. My practice explores the intersections of memory, materiality, and place, examining how personal and collective histories are constructed, fragmented, and reimagined over time. Which includes the human art of masking.
I completed my Masters Degree in Illustration at Camberwell College of Arts in London, developing a research-led approach grounded in material investigation and critical reflection. This continues to inform my work supporting an ongoing engagement with contemporary cultural and social discourse.
My process is rooted in layering, erasure, and reconfiguration, creating surfaces that operate as visual palimpsests. Through this approach, I like to resist fixed narratives, offering spaces of ambiguity where meaning emerges gradually. My influence is subtle observations of landscape and environment, which I translate as lived experiences into abstract forms that evoke atmosphere rather than direct representation.
My Work has been exhibited in London, including at Medici Gallery and at The Welcome Collection in London. My work has also been featured in Reclaim Magazine, contributing to wider conversations around contemporary art and emerging practices.
My work has been described as “half dream, half reality,” often carrying a subtle dark undertone that runs through my visual language. I continue to develop my practice from my Manningtree Essex studio, exploring themes of displacement, belonging, and the shifting nature of perception.
My work invites a slower mode of looking, one that acknowledges uncertainty, material presence, and the quiet complexity of lived experience.

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