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"Threshold" Photograph - Limited Edition of 10

→ Ferdinando Cantone, Italy

Photography, C-Type on Canvas

27.6 W x 19.7 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$420

→ Shipping Included

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


A sphere of oil suspends itself between surface and depth. A transparent threshold between what is visible and what is not. Beneath it, red and blue collide in slow violence. The drop does not separate. It reveals. Pigment, oil, and glycerin on diffuser. Minimal post-production.

Year Created:

2025

Subject:

Mediums:

Photography, C-Type on Canvas

Rarity:

Limited Edition of 10

Size:

27.6 W x 19.7 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Ferdinando Cantone

About the Artist

Ferdinando Cantone

Italy

I photograph atmospheres.

What interests me is not the perfect frame. I have little use for technical precision as an end in itself, and I keep post production to a minimum. An image corrected into perfection has usually lost the air that made me stop in front of it.

I am not interested in photographing an action. I prefer the moment just before or just after, when the gesture is not there to be read and something quieter is left in its place. That empty space is where contemplation begins, and I would rather leave it open than fill it.

My subjects almost always appear in isolation, but they are not the subject. What I am looking at is the environment, and the relation between a person and the space that contains them. Sometimes that space is indifferent. Sometimes it is the only thing the figure is speaking to.

My eye was trained on cinema, not on photography as a language. I think in terms of duration rather than instant, of the shot that stays on after the figure has left the frame. This is probably why my images tend toward stillness, and why I trust silence more than incident.

I do not explain what my photographs mean. That is built by whoever is looking.

Art in the same spirit

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