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Printmaking, Monotype on Paper

9 W x 12 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$181

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This piece is inspired by the fall colors and the earthy ground of falling leaves. This is an encaustic wax monotype on Japanese rice paper, matted and ready to pop into a frame. The piece itself measures 12 x 9 inches, and is secured in a professionally cut archival matboard measuring 16 x 12 in....

Year Created:

2023

Subject:

Mediums:

Printmaking, Monotype on Paper

Rarity:

One-of-a-kind Artwork

Size:

9 W x 12 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Contact us.

Need more information?

Contact us.
Kim Roberts

About the Artist

Kim Roberts

United States

I'm a Colorado based artist, so the mountains are my muse.

My work is about space, whether it's the vast expanse of a mountain landscape or the quality of mind that accommodates all that arises within it.

As a long-time meditation practitioner, I notice that what’s right before my eyes often gets obscured by the thinking mind. Making art helps me stay in the present moment to see what's actually there. The activity of painting is truly the only thing that stops my mind for any significant period of time.

So I’m interested not only in the subjects I paint, but also the process itself. I try to capture the ineffable atmosphere in which things take place—the quality of mind--and space-- that accommodates all things.

Having spent much of my adult life as an expat in South Asia, I’ve seen how art connects us to each other in a way that transcends culture. How language influences what we see--or don’t see.

Each piece I create is an attempt to plant a seed of awareness, and to invite the viewer into a deeper experience of their own awareness—a sort of meditation in action. My hope is to convey how art is a bridge to this experience of connection-- with ourselves, with each other, and with something larger than ourselves.

I work with a variety of media: I create encaustic monotypes by melting beeswax, pigment and resin on a heated aluminum plate, then laying down paper to absorb the design—or select aspects of it. Layers of wax and pigment may be added, both front and back to give the rich, often tactile effect of delicate, malleable stained glass. After creating an initial foundation of wax on paper, I often embellish with graphite, ink, stencils or markings to bring out hidden images that seem to mysteriously appear.

I also paint with oil and sketch with ink and watercolor.

Much of my inspiration comes from spending time in Crestone, Colorado, where I live part time. Recognized as a spiritual “power place,” seekers and pilgrims retreat to this high alpine valley to access inner wisdom. The surrounding Sangre de Cristo mountain range sets the stage for a mystical environment where “the veil is thinner.”

Chagall, Rothko, Bonnard, Harald Sohlberg and the expressionists serve as inspiration on my path as an artist. Drawing on nearly 30 years as a teacher of yoga and meditation, my current inquiry is to show how the wisdom of spiritual practice evolves into the ultimate act of authentic creation.

Recognition:

  • Artist featured in a collection

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