
Sculpture, 3d Sculpting of Hardboard
23.6 W x 15.7 H x 11.8 D in
Ready to Hang
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ABOUT THE ARTWORK
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Vortex21p14 explores the dynamics of rotation, flow, and concentration. Layers of curved and pointed steel elements interact in a spiraling movement, creating a sense of tension and acceleration. The composition balances centrifugal extension with a coiled center, suggesting a vortex frozen in moti...
Year Created:
2021
Subject:
Method:
Method:
Sculpture, 3d Sculpting of Hardboard
Rarity:
One-of-a-kind Artwork
Size:
23.6 W x 15.7 H x 11.8 D in
Ready to Hang:
Yes
Mounting:
Wall-Mounted
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Outdoor Safe:
No
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Germany.
Customs:
Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Contact us.Need more information?
Contact us.My artistic practice is grounded in a sustained investigation of the relationship between form, material, and spatial context. Working across sculpture, painting, installation, and site-responsive intervention, I examine how objects, surfaces, and constructed environments can be transformed through processes of formal disruption and material reconfiguration. Central to this practice is an engagement with industrial matter, found structures, and traditional pictorial supports, all of which I subject to procedures such as welding, cutting, bending, layering, and painterly intervention. Through these acts of transformation, I develop works that resist fixed categorical distinctions: they oscillate between object and image, construction and intuition, stability and fragmentation, the mechanical and the organic. What emerges is a sculptural language in which material tension, spatial articulation, and formal ambiguity become the primary carriers of meaning

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