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Digital, Digital on Paper

23.6 W x 31 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$1,433

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


The digital artwork is Giclee Print on FineArt Baryta 315g, ISO 7906. Museum Art Class. Other formats are available on request. Whichever size you choose, it will be the only original one. The atmosphere photos are not contractual

Year Created:

2023

Subject:

Mediums:

Digital, Digital on Paper

Rarity:

One-of-a-kind Artwork

Size:

23.6 W x 31 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price. An agent fee may be required to process the shipment due to China's export policy.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

China.

Customs:

Shipments from China may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Cynthia Lu

About the Artist

Cynthia Lu

China

Lu Si Yu,born in Beijing, China, Lu Siyu is an artist primarily working with oil painting and mixed media. Her practice focuses on the possibility of intuition as a mode of cognition, and continuously challenges the painting tradition centered on meaning, metaphor, and narrative.
Having received systematic training in both traditional Chinese painting and Western painting, she is also influenced by her background in film and intermedia studies. Her paintings exhibit a strong perceptual tension in terms of composition, rhythm, and psychological editing. Her current practice revolves around the long-term project Unnamed Domain, attempting to free painting from "expression" and return it to an unnamed state of experience.

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