




Drawing, Charcoal on Paper
80 W x 42 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Connection explored between a woman immersed in her music and the young female web designer on the internet. The overlap of the emotional and technological. Drawing will arrive rolled in large tube.
Year Created:
2016
Subject:
Mediums:
Drawing, Charcoal on Paper
Rarity:
One-of-a-kind Artwork
Size:
80 W x 42 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United States.
Need more information?
Contact us.Need more information?
Contact us.Peter ILLIG is known for his complex paintings that walk a line between post-modern semiotics and traditional illustration. Involved in Denver's art scene, producing thought-provoking oil paintings composed of layered images mixing color with black-and-white. Dubbed by the press as a "neo-pop surrealist," and "one of Denver's best artists." Peter Illig's works are analogies for human emotions and experiences, American psychological landscapes reflecting how we think of several things at once. He layers images borrowed from film, TV, cyberspace, and his own experience like a coded language of symbols to express his ideas and feelings. This search through the stuff of the world, matter and flesh, is inherently erotic. And so is the act of drawing and painting. These meanings and objects intersect and overlap in life, and in Illig's art. Where does one object end and another begin? Where does one idea end and another begin to form? Can theory become visual? These and other questions are presented in Illig's work.
Recognition:
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