"Entry" Painting
Painting, Acrylic on Paper
11.9 W x 12.5 H in
Ships in a Box
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$589
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
This small piece from the series “Abstract Realism Paintings: Objects, Faceless Portraits & Reflections” captures the play of light and shadow during August in Provincetown. This work on bristol is meant to be framed under glass or plexiglass.
Year Created:
2017
Subject:
Mediums:
Mediums:
Painting, Acrylic on Paper
Rarity:
One-of-a-kind Artwork
Size:
11.9 W x 12.5 H x 0.1 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United States.
Need more information?
Contact us.Need more information?
Contact us.
My work grows out of an interest in simplification and perception, and in the space between abstraction and representation. Organizing visual information is central to my process.
My painting practice began with portraiture. Initially focused on capturing likeness, I developed an increasingly deliberate and reductive approach. Backgrounds became fields of solid color, and compositions were simplified, sometimes including only part of a face. As I became more conscious of the impact of color, I began to see areas within my portraits as potential paintings in their own right.
Abstraction felt like a natural progression. My background in graphic design continues to inform my practice, particularly in my use of both digital and hands-on tools to create and develop my work. My abstract work has ranged from balancing geometric structures with spontaneous gestures, to developing precisely controlled compositions. Throughout, I've explored how relationships between color and form can alter perception, create spatial ambiguity, and leave room for interpretation.
I live and work in Connecticut. My paintings have been exhibited in juried and group exhibitions and are held in private collections.
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