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'FRONT ROW SEAT' is a textured acrylic painting on a 140 lb sheet of Arches cold press watercolour paper. It measures 15,25"h x 19.25"w floating in the middle of a 16" x 20" sheet of Arches paper with deckled edges all around. It can be framed with a floating frame showing the deckled edges - or it will also look great in a matted frame. I often work intuitively and begin with lots of random strokes and gestural mark-making. This painting began this way as well - but these marks are now completely hidden below several layers of impasto acrylic brushstrokes, paint splatters, drips and some asemic scribbles carved into the wet paint. I want the viewer to feel the energy and spontaneity I felt while painting this - and to enjoy the many small details as well as the whole. This painting is signed on the back and will be securely packaged and shipped in a box to ensure safe delivery. Please Note: The in situ images are for display purposes only to show the work in different room settings and/or with suggested frames if desired. Please refer to the exact size of the work provided in the description.
2023
Acrylic on Paper
One-of-a-kind Artwork
19.3 W x 15.2 H x 0.1 D in
Not Framed
No
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Canada.
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Canada
Hi, I'm Mary Ness. I am happy you are here to see what I've been up to. I'm an abstract expressionist artist and designer living and working just outside Toronto, Canada. My creative journey, with all of it's twists and turns, goes back to my early childhood. There I was, little me, lying belly down on the kitchen floor with my coloring book and crayons. I was caught in a sunbeam coming through the window - and that's when the magic began. I paint with both traditional media such as acrylics and/or oils and cold wax, mixed media collage as well as painting with digital tools such as Photoshop and Corel Painter. Often I combine digital and analog to achieve my goal. Sometimes a painting is finished quickly and other times there are many layers and visits to the mirror with the painting, always searching for that elusive moment when I can say, that's it, I've got it! I want the viewer to be drawn in, to see the layers, the brushstrokes - to feel the energy and emotion I experienced while making this piece of art.
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