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"Folds: Bloom" Painting

→ Starista Jacobsen, Chile

Painting, Acrylic on Paper

27.6 W x 33.9 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$1,343

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


"Bloom" reimagines the landscape, presenting it not as a mere picture but as a carefully built surface. The artwork is created through the physical manipulation of paper, involving folding, compressing, and shaping, before the application of water and acrylic paint. The folds give rise to gentle, a...

Year Created:

2026

Subject:

Mediums:

Painting, Acrylic on Paper

Rarity:

One-of-a-kind Artwork

Size:

27.6 W x 33.9 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Chile.

Customs:

Shipments from Chile may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Starista Jacobsen

About the Artist

Starista Jacobsen

Chile

My work explores the relationship between space, nature, and architectural perception through works on paper. I approach painting as the construction of a visual territory: a window, a surface, or a threshold that allows nature to enter the built environment in a subtle and non-illustrative way.

I primarily work with paper as a material with memory: folded, wrinkled, stretched, and sometimes brought to the limits of its resistance. Acrylics, watercolor, gouache, pastel, and ink interact with the paper’s structure, allowing water, gravity, and gesture to shape the final image. The process is physical and intuitive, guided by material behavior rather than rigid control.

My visual language moves between abstraction and landscape, where natural elements such as water, light, vegetation, or atmosphere are suggested rather than described. I am interested in creating works that remain emotionally resonant while maintaining clarity and restraint, suitable for architectural and corporate contexts.

Architecture, spatial rhythm, and traditional Asian approaches to gesture and material sensitivity strongly influence my practice. The finished works are conceived not as decoration, but as elements that quietly inhabit and transform space.

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