"Lacemaker" Painting

My work exists at the intersection of figurative, abstract, and symbolic art. I am interested in the fragile boundary where recognizable forms begin to dissolve into abstraction — and how perception itself reshapes what we see. A recurring theme in my paintings is transformation: of identity, of thought, of reality under the influence of internal and external forces. I can use visual systems — such as optical distortions, repetition, fragmentation, or ornamental structures — as metaphors for how the mind processes experience. Such works are focused on the act of seeing and lenses, reflections, patterns, and layered imagery become conceptual tools rather than just aesthetic choices. I am also interested in searching the synergy between historical visual languages and contemporary ideas. References to prior to 20th century traditions may be recontextualized within modern frameworks which I consider as a form of contemporary lens. This allows me to get more informative look at human perception, identity, illusion, inner freedom.
My works are usually dense and detail-rich. I deliberately construct images that unfold over time, inviting slow looking. They may appear decorative, but closer observation may reveal tension, ambiguity, and multiple coexisting interpretations. I like adding a pinch of humor and irony to my work as a counterbalance to complexity. In some pieces, I am drawn to subtle shifts in meaning that destabilize expectations and open space for interpretation.
Ultimately, I see painting as a way of thinking or as a part of global research process through construction of visual models of consciousness. I do not try to provide answers, but rather to create images that encourage reflection, curiosity, and a deeper awareness of how we perceive the world in general and humans in particular.