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"Lord, Do Not Let Me Go" Painting

→ Sinem Vardar, Germany

Painting, Ink on Fabric

27.6 W x 39.4 H in

Ready to Hang

$3,260

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

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Lord Do Not Let Me Go, ink on cotton grey fabric/canvas, 100x70 cm I paint with my hands, using water and ink, stamping with leaves. This painting is one of the pieces I created with my technique “abstract animistic expressionism". As I work, dreamy and surreal figures emerge, and I observe them a...

Year Created:

2025

Subject:

Mediums:

Painting, Ink on Fabric

Rarity:

One-of-a-kind Artwork

Size:

27.6 W x 39.4 H x 0.8 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Sinem Vardar

About the Artist

Sinem Vardar

Germany

I am a self-taught artist, work with ink and acryl-ink on fabric, paint with my hands. The entire painting process, from selecting the ideal grey cotton fabric, ironing it, and feeling every single wrinkle, is important to me, and I see each act in this process as a kind of prayer, part of an existential ritual.
Over the last five years, I have developed a unique painting technique which I call abstract animistic expressionism.

I begin painting without a plan or predetermined forms. Shapes emerge naturally as I work, guided by instinct and in collaboration with the water, plants, and seashells that are the co-creators of the painting as I try not to force anything. The painting process becomes a ritual-like event in which the boundaries between my subconscious and superconscious, as well as between the unified field and my individual self, begin to blur.

My method echoes the tradition of abstract expressionism, recalling artists like Helen Frankenthaler who poured pigment freely and honored the medium’s natural flow. Yet, my approach encompasses eruptive and instinctive emotional expression, is influenced by movements from Aikido, and has animistic aspects.

Through dynamic throws of color and water, I create a controlled chaos together with the active presence of the water and plants as subjects, experience the tension between destruction and creation, and follow my instincts.

The emotional intensity of the painting process makes me explore emotional and dramatic depths and transcendent moments, through which the boundaries between my consciousness and subconsciousness as well as shapes and movements get blurred.

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