"Ripples The Surface, Collage & Graphite on Paper" Painting

Tracking Internal Logic: The Autonomous-Subjective Language

My visual work constitutes a personal investigation that delves through layers of experience, the depths of memory, and subconscious emotions, ultimately reaching a stratum of rationality that operates according to my own internal logic.
​I question whether pure spontaneity genuinely exists. Isn't even abstract reality—every gesture, every mark, and every expression—actually the mathematical result of complex interactions across dimensional planes or internal layers? These layers include: the 'undercurrent' (a realm of the illusive, emotions, and constructed value attributes) and the 'upper current' / rationality, along with the entire layering of internal cause-and-effect itself (Internal Logic).
​In the process of execution, my work might feel fluid, free, and instinctive—akin to how a child plays. However, this flowing process does not occur unfiltered; rather, it is the manifestation of my internal logic operating autonomously and subjectively.
​Every stroke, every placement of collage, or every decision regarding color, always passes through a kind of 'internal aesthetic system validation' that is intensely personal. This consideration takes the form of an 'instinct' that seemingly assesses visual compatibility instantaneously. Consequently, a seemingly free mark is, in essence, a structured and logical decision that I filter and affirm in accordance with my internal coherence. Its nature is thus rooted in the coherence of the internal logic system, not in the definitive conveyance of meaning.
​Therefore, the gesture that appears free is truly the mathematics of an internal process visually articulated.
​Departing from personal subjectivity, I maintain a close distance from the dominance of grand narrative hegemony. My non-representational paintings and artworks become an autonomous-subjective visual language: one that explores, records, maps, and simultaneously affirms my 'reality' existing amidst the currents of external narrative dominance.