"Risveglio Awakening" Painting

There is a thread that connects my paths and the tools I use: it is the thread of emotion, of color, and of light.
From the painter’s palette to digital photography, it may seem that an era has passed, yet for me everything is part of the same search.
If canvases and brushes represent the emotion of discovery, graphic design has been my school, illustration and drawing my expressive training, photography my practice in observation.
All these experiences now flow into the white space of the canvas, becoming my main language today.
My paintings are stories that seek one another and meet, layers of memories intertwining to give life to new images.
Unexpected elements emerge — they may be small objects found along the way or, more often, fragments of canvases painted in the past that come back to life in a collage capable of renewing itself into ever-changing stories.

A long experience in community organizations led me to work alongside inmates, youth from suburban areas, and abused women.
The latter entered my canvases, together with the sea—which for me is journey, boundary, and welcome, an open place without borders.

Working with different techniques has taught me to distrust rigid frameworks.
My works have an open structure: they do not assert but suggest, they do not shout but narrate.
They invite the viewer to pause before the paintings and let themselves be guided by their own personal story.
When this happens, my narrative finds its echo and is completed in the individual experience of the observer.
For the past three years I have lived in Livorno, where the sea is silence and melody, the boundary between the visible and the hidden.

C’è un filo che lega i miei percorsi e gli strumenti che uso: è il filo dell’emozione, del colore e della luce.
Dalla tavolozza alla fotografia digitale sembra essere trascorsa un’era, ma per me tutto è parte della stessa ricerca.
Se tele e pennelli rappresentano l’emozione della scoperta, la grafica è stata la scuola, l’illustrazione e il disegno la ginnastica espressiva, la fotografia l’allenamento all’osservazione.
Tutte queste esperienze confluiscono oggi nello spazio bianco delle tele, diventando il mio attuale linguaggio principale.
I miei quadri sono storie che si cercano e si incontrano, strati di ricordi che si legano per dare vita a immagini nuove.