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"Rooted Intelligence" Painting

→ Nwansa Warna, Indonesia

Painting, Oil on Canvas

23.6 W x 39.4 H in

Framed, Ready to Hang

$815

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This series explores the intersection between organic life and mechanical structures, where insect-like forms evolve into hybrid ecosystems. Each piece reflects growth, adaptation, and hidden intelligence within nature, presented through surreal and expressive compositions.

Year Created:

2024

Subject:

Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

23.6 W x 39.4 H x 1.2 D in

Ready to Hang:

Yes

Frame:

Brown

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Indonesia.

Need more information?

Contact us.

Need more information?

Contact us.
Nwansa Warna

About the Artist

Nwansa Warna

Indonesia

Nwansawarna is an Indonesian artist based in Depok, whose practice explores identity, memory, and perception through fragmented figurative and geometric forms.

Fragment Figure is an ongoing exploration of identity, memory, and the fragmented nature of human experience.

I see identity not as something fixed or complete, but as something continuously shaped by memories, relationships, places, and experiences. What we remember, what we forget, and what remains with us becomes a collection of fragments that gradually forms who we are.

Through figurative forms, geometric structures, and fragmented perspectives, I deconstruct familiar subjects and reconstruct them into new visual experiences. The fragments are not intended to destroy the figure, but to reveal that there can be many ways of seeing and understanding the same person, memory, or moment.

My process is influenced by the visual language of Cubism, but I use fragmentation as a personal vocabulary rather than simply as a stylistic approach. Each broken plane represents a different point of view, a piece of memory, or a layer of identity.

For me, a fragmented figure is not an incomplete figure.

It is a figure that is still becoming.

Recognition:

  • Artist featured in a collection

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