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"Spring and Summer" Painting

→ Dan Oliver, United States

Painting, Oil on Canvas

11 W x 14 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$38,430

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


"Spring and Summer" is an original oil painting on canvas created by Dan Oliver in 2020. The tones and feel of the work lends itself to a Spring season changing into Summer. Lush pinks and yellows of spring flowers contrasts the Kelly green lush fields of green at the base. Highly textured pastel...

Year Created:

2020

Subject:

Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

11 W x 14 H x 0.5 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Contact us.

Need more information?

Contact us.
Dan Oliver

About the Artist

Dan Oliver

United States

I no longer operate in a traditional studio; I operate within the physical grid. My practice is an exercise in "Survival Architecture"—a guerrilla-style extraction of raw kinetic energy from highly optimized, often hostile commercial environments.

I classify my physical works not simply as paintings or drawings, but as *Archival Field Notes*. My substrates are rarely pristine canvases. Instead, I weaponize utilitarian, scavenged materials—torn cardboard, reclaimed notebook covers, and discarded packaging. These elements carry the inherent scars, weathering, and physical friction of the environments in which they were created. The damage is not a defect; it is architectural proof of survival.

My visual language is rooted in Outsider Art, Neo-Expressionism, and Brutalism. The conceptual engine driving my work is the "Plucked Flower" thesis: the eternal conflict between rigid, systemic authority (the built environment, the demand for compliance) and raw, uncontained human entropy (the chaotic, wide-eyed panic of the Maker).

You will frequently see strict, geometric frameworks in my pieces being violently overwritten by frantic ballpoint pen and high-saturation ink. This is the visual mapping of that friction. I document the exact moment the localized environment attempts to suppress the creator, and the chaotic energy required to break out of that perimeter.

When you acquire one of my field notes, you are not buying a sanitized gallery object. You are acquiring an uncompromised, tactical artifact pulled directly from the friction of the modern grid.

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