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"The Red Table Cloth" Painting

→ Julia Abele, Germany

Painting, Acrylic on Paper

19.7 W x 15.7 H in

Framed, Ready to Hang

$715

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


"The Red Table Cloth" is a vibrant still life painting inspired by the bold spirit of German Expressionism. The artist uses bright colors and simplified forms to create an abstract depiction of everyday objects: a vase of flowers, a wooden floor, and of course, the titular red tablecloth. Painted ...

Year Created:

2025

Subject:

Mediums:

Painting, Acrylic on Paper

Rarity:

One-of-a-kind Artwork

Size:

19.7 W x 15.7 H x 0.1 D in

Ready to Hang:

Yes

Frame:

Black

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Julia Abele

About the Artist

Julia Abele

Germany

I am a figurative painter. I do not have a favourite colour. I like acrylics for their quick results. I like oil because of the smell. I love old masters. I Iove some modern masters also.

If I had been an old master I would most likely have painted still lifes what with being intrigued by the subject of Vanitas, or the momentariness of life.

Nowadays, all varieties of classic still lifes seem to have been painted, which is why I keep looking for other ways to capture the transitory aspects of modern life without the help of decaying food or dead birds. For my latest series, my sketchbook has been a little battered Japanese camera (Digital Harinezumi). According to its manufacturer it is re-inventing what is around us. With its blurs, distortions and inaccurate colours it helps me to add a snapshot quality to my paintings, while I am trying to illustrate the melancholy and the inevitability of the constant change around me.

Change seems to be the leitmotiv for the upcoming year, as I am recently moving back and forth between portrait, landscape and still life. Always in search of a new form of expression, I keep switching between a simple freestyle and a more realistic manner.

Acrylics are the perfect medium for what I currently paint as they dry fast, provide immediate results and allow me to stay flexible in terms of style. For the time being I seem to have found my tools and subject, but that will keep changing. Inevitably.

Recognition:

  • Showed at the The Other Art Fair

  • Artist featured in a collection

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