"Not sorry." Photograph - Limited Edition of 10
Photography, Color on Paper
17.7 W x 23.6 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
$1,488
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
This series delves into the complex relationship between food and society. It explores how our bodies become canvases for judgment, shaped by evolving dietary trends and societal norms. The work is a satirical examination of the pressures and contradictions surrounding modern consumption habits. Th...
Year Created:
2024
Subject:
Mediums:
Photography, Color on Paper
Rarity:
Limited Edition of 10
Size:
17.7 W x 23.6 H x 0.4 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
The purchase of photography and limited edition artworks as shipped by the artist is final sale.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Switzerland.
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My work explores the grotesque beauty of modern contradiction: the friction between our pursuit of "purity" and our surrender to "guilty pleasures." We cleanse crystals while chain-smoking; we chase eternal health while consuming high-calorie thrills. I capture this tension—the longing for control in a world of seductive excess.
I treat food not as sustenance, but as a cultural marker of identity, status, and hope. By using animals—rabbits, cats, or mice—as symbolic proxies, I project human aspirations onto non-human bodies, questioning how we construct our ideals of happiness and the "perfect" self.
My compositions borrow the saturated, glossy visual language of 1970s and 80s advertising. I deliberately exaggerate these "perfect" worlds to expose their manipulative nature. The retro aesthetic serves as a mirror, reflecting how contemporary self-staging is often a repeat of past illusions.
My practice is defined by total autonomy. For the past five years, I have acted as art director, stylist, photographer, and high-end retoucher for every piece. This absolute control over the creative process is a conceptual echo of the very perfectionism I critique: a staged reality, meticulously crafted to investigate the promises we choose to believe.
Recognition:
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