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"Time Left Standing" Photograph - Limited Edition of 12

→ Michael Hanna, United States

Photography, Color on Paper

36 W x 24 H in

Framed, Ready to Hang

$4,500

→ Shipping Included

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


The photographic assemblages are based on original unedited photography and formatted into a montage in Photoshop. Conceptual philosophical and ironic texts then becomes applied to enhance the combination of the images and have the viewer ponder on raw imagery with a deeper purpose. The photographic...

Year Created:

2026

Subject:

Mediums:

Photography, Color on Paper

Rarity:

Limited Edition of 12

Size:

36 W x 24 H x 1 D in

Ready to Hang:

Yes

Frame:

Silver

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Contact us.

Need more information?

Contact us.
Michael Hanna

About the Artist

Michael Hanna

United States

My practice is lens-based at the core and interdisciplinary in nature. Spanning photographic assemblage, glass assemblage, moving-image, creative writing, photographic installations, and arthouse documentary photography, my work uses integrative methods, with experimental use of materials and combining disciplines. The result entails compositions which have a fluxus interpretation of environments and experiences in relation to the purpose of contemporary individualism. Texts and atmospheric symbolism within the works deal with themes such as nihilism, anguish, desire, mania, glory, and excess within the confines of the contemporary digital era. In other words, emotional impulses reflecting institutional criticism, deconstructing imposed narratives.

Through integrative practice and raw, unfiltered imagery, my lens-based arts, in all forms, reveals a dichotomy between perception and interpretation. Through carefully chosen subject matter, lighting, conceptual composition, and applied texts, my works communicate a sense of isolation and despair yet an unnerving aesthetic which offers experiences which are engaging, lucid, and enchanted. With unfamiliar sensory experiences and composure which draws attention to peculiarity, the viewer will find in the lens-based works a sense of deconstructing institutional barriers within the confines of captured reality.

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