"paces #2" Print - Limited Edition of 12
Printmaking, Digital on Paper
39.4 W x 39.4 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
$662
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ABOUT THE ARTWORK
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The final image is built from one hundred photographs taken while walking In these works I explore the malleability of photographic images as carriers of experience and memory. Through acts of repetition, distortion, and re‑composition, the work examines how meaning shifts through attention, durati...
Year Created:
2024
Subject:
Mediums:
Print, Digital on Paper
Rarity:
Limited Edition of 12
Size:
39.4 W x 39.4 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
The purchase of photography and limited edition artworks as shipped by the artist is final sale.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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I graduated from art school in London in 1981.
My early practice explored the clustering and contrast of imagery, gradually evolving toward an engagement with process and chance. This work was informed by West Coast graphic design and the strategies of appropriation and image circulation associated with the Pictures Generation. During this period, I worked primarily in silkscreen printing and etching, using these processes to investigate repetition, disruption, and visual tension.
Following a period of teaching printmaking, I shifted into fashion, focusing on textile design. This phase involved designing and producing printed textiles and garments, extending my interest in surface, pattern, and the translation of imagery into material form. I later moved into coaching, leadership, and organisational development, grounding my work in psychological theory and deepening my understanding of perception, behaviour, and transformation.
My current practice spans photography, painting, drawing, and experimental film. I am particularly interested in the processes through which images are made, altered, and reinterpreted. Central to my work is the malleability of the image—how it can be fragmented, layered, stretched to the point of breaking and reconstituted—reflecting an ongoing investigation into perception, memory, and the fluid nature of meaning.
Work held in private collections in UK and USA
...of nothing something still to stand before the sight to fill something we have having we yet have not be it so or nay why care a jot... Richard Dadd
Recognition:
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