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"Moving Forward" Sculpture

→ Alexander Edwards, United States

Sculpture, Relief of Found Objects

50 W x 30 H x 2 D in

Ready to Hang

$6,400

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Moving Forward, 2026 Television screen, Ceramic Transistors, Infrared Circuit Board 30 x 50 x 4 in. (framed) 76.20 x 127.00 x 10.16 cm (framed)

Year Created:

2026

Subject:

Method:

Sculpture, Relief of Found Objects

Rarity:

One-of-a-kind Artwork

Size:

50 W x 30 H x 2 D in

Ready to Hang:

Yes

Mounting:

Wall-Mounted

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Contact us.

Need more information?

Contact us.
Alexander Edwards

About the Artist

Alexander Edwards

United States

ALEXANDER EDWARDS is a multidisciplinary artist whose work engages systems of preservation as material conditions. Working across sculpture and installation, he employs perishable matter and discarded materials—including spices, e-waste, and wood—to construct contemporary reliquaries in which degradation becomes a record of time, labor, and survival. Rather than framing decay as loss, the work treats material exhaustion as evidence of circulation and value.

Drawing on still-life traditions and memento mori within a landscape of technological surplus, Edwards positions preservation as both ritual and containment. Through accumulation, and restraint, his sculptures function as quiet archives that hold bodily presence and temporal instability in suspension, framing fragility as a structural condition embedded within biological, social, and technological systems.

Edwards has exhibited at Emmanuel Gallery (Denver), Kate Werble Gallery (New York), and Ruscha & Co. (Los Angeles), and has received support from Hangar Centro de Investigação, Lisbon. He attended Pratt Institute and is based in Brooklyn, New York.

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