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"ROMANCERA GITANA" Collage

→ Alain Clément, France

Collage, Paper

8.3 W x 11.6 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$400

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→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


It was in 2012 during the "International Meetings of Photography in Arles". A warm summer evening, sitting under the plane trees of the Place du Forum, in the shade of the mythical hotel Nord-Pinus, where Picasso, Hemingway, the bullfighters of the time, Domiguin in particular and the photographer ...

Year Created:

2021

Subject:

Mediums:

Collage, Paper

Rarity:

One-of-a-kind Artwork

Size:

8.3 W x 11.6 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

France.

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Contact us.

Need more information?

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Alain Clément

About the Artist

Alain Clément

France

I was born in Le Vigan, small town in the South of France. I studied at the Universty of Montpellier Pharmacy and Medecine. I owe to Marc Dautry, classic engraver and sculptor (Montauban), to have been very early initiated to the field of Art. Later I met the surrealist painter, Bernard Louedin (Trebeurden), and developped a passion for this movement. I live and work now in Haute-Savoie near Annecy (France) and Geneva (Switzerland). At first glance my activity as Dr in medical biology did not predispose me to the practice of collage and photomontage if not my passion for Art,photography, surrealism, specially Man Ray, Dora Maar, Lee Miller, Max Ernst, Magritte and Hannah Hoch. My meeting with Josephine Sacabo, american photographer, was decisive; she introduced me to this art, and incited me to "always shift forward the reality". And this the way each of my collages is inspired by transposing fragments of live, where feelings, fantasies, and personal concerns are mingled. Beyond the resear that each project involves (magazines of art or photography, newspapers, photos, advertisings), beyond the time splent for realizig the work, beyond aesthetic concerns, the final result often emerges from these contengencies, and escape from the original idea, to become another, only remains the sincerity.

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  • Artist featured in a collection

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