"137.000" Drawing
Drawing, Marker on Paper
39.4 W x 59.1 H in
Ships in a Tube
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$670
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ABOUT THE ARTWORK
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This work is part of a serie that explore political and social issue like war, pollution, inequalities. This drawing that is almost a painting depicts birds on a tree with a number written in large letters. 137000 was the number of children dying every day for famine. The contrast is very strong, co...
Year Created:
2019
Subject:
Mediums:
Drawing, Marker on Paper
Rarity:
One-of-a-kind Artwork
Size:
39.4 W x 59.1 H x 0.4 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Italy.
Customs:
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Contact us.
This is my primary Saatchi Art profile, presenting recent works currently available outside the artist’s collaboration with a gallery in Bologna, Italy.
For archival works and drawings, please visit the Roberta Cavallari Archive profile, dedicated to early research works, drawings, and archival series developed between Italy and Berlin. Roberta Cavallari’s work has been exhibited and collected through independent galleries and curatorial projects in Italy, including Galleria Studio Cenacchi, a gallery mentioned among Bologna’s contemporary art spaces by The New York Times. Born in Ferrara, Italy, I began my formal training at the Academy of Fine Arts in Bologna. In the late 90s, a residency in Berlin exposed me to the city’s dynamic contrasts—its empty industrial spaces and cutting-edge architecture. The rise of cyberpunk and internet culture also played a crucial role, deeply shaping the themes and aesthetics of my work. My paintings and drawings merge abstract and hyper-realistic pop elements, engaging with themes of alienation, social issues, and historical memory. Over time, my practice has expanded to include performance, video, and photography. Currently, my focus is on what I call ‘emotional interiors’: highly detailed, surreal spaces that include subtle historical references and are intended to express psychological states. My work is exhibited internationally, including a notable inclusion in the 54th Venice Biennale.
Recognition:
Artist featured in a collection
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