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I use a scratching technique to add interest to the sky
I love that with Sennelier Oil Pastels I can choose to paint or draw
Made this artwork on the spot, I bet you can tell the difference from the ones made in the studio, there is a different energy, a kind of urgency
You can spot my initials here
I leave some portions of the artwork blank to add light to the composition
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VIEW IN MY ROOM

Bayston Road Back Drawing

Mary Cinque

Italy

Drawing, oil pastel on Paper

Size: 16.5 W x 23.4 H x 0 D in

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$470

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115 Views
6

Artist Recognition

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

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About The Artwork

I'm so lucky to be living in a beautiful house at the corner of two side street in the wonderful Stoke Newington, London. My windows are at the top floor so I often draw what I see from there. Being people passing by or just the corner of the street. I drew this sitting in our backyard and it reminds me of one of my favourite artists: Vermeer and the way he depicted houses with their peculiar red bricks. "This clay is burned and compressed into "London Stock", the particular yellow-brown or red brick that has furnished the material of London housing. It truly represents the genius loci [...] William Blake called the bricks of London "well-wrought affections" by which he meant that the turning of clay and chalk into the fabric of the streets was a civilising process which knit the city with its primeval past." (Peter Ackroyd "London. The biography") The artwork will be shipped rolled in a tube, I advise to take it as soon as possible to a framer, to professionally flatten it back and to provide a frame with a glass, as the oil pastel needs to be protected from the dust.

Details & Dimensions

Drawing:oil pastel on Paper

Original:One-of-a-kind Artwork

Size:16.5 W x 23.4 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

"Mary Cinque is an Italian painter, graphic designer and blogger working and living in the Amalfi Coast. Her works – joyful, bright, colourful painting and drawings – are inspired by this place, as well as her heritage, background and travels. Mary spent her childhood between Italy and Ethiopia. Before moving back to the Amalfi Coast in 2019, she has lived in Naples and Milan, where she attended academies of fine art; and Philadelphia, New York and London where she improved her artistic skills and style. Alongside making art, she works as an illustrator and graphic designer, collaborating with selected brands, working on artistic commissions such as illustrations, labels and showroom design. Cinque’s art develops themes connected with what makes us essentially humans: our habitat – the buildings, the streets, the cities – our bodies, what we eat and how we socialise. Art, in Mary’s paintings, becomes a powerful instrument of philosophical investigation which reveals who we really are by questioning our habits, observing those characteristic traits we share as a species, often without realising it. The artist looks at human beings from a different perspective, making interesting and significant what can seem normal or banal to us in our everyday life: the buildings that populate our cities, the streets we walk, people sitting across our table at a café, strangers on the bus. In this nutshell interview by Giulia Corti, Mary Cinque explores some of the most relevant aspects of her art and reflects on how it offers an intriguing and informative perspective about the way we live as human animals. Mary, your art is colourful and vivid, it mixes human and urban subjects by making use of various techniques (oil painting; pastel drawing, markers, “digital” drawing, print-making etc.) and materials (canvasses, magazine pages, an I-pad screen). How do you choose the means with which to develop an artwork and how do the different materials and techniques influence what you want to convey, if they do? Different subjects call for different techniques. Buildings and urbanscape are always acrylic on canvas, while I prefer to depict people using a quicker, immediate approach, like the one that I can get with markers and oil pastels or digital painting. By looking at the main themes of your art, it is possible to notice what seems to be a tension. On one hand, you portrayed the stillness and artificiality of urban landscapes and buildings (e.g.

Artist Recognition

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles, London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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