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"Be patient" Drawing

→ Takayuki Maejima , Japan

Drawing, Ink on Paper

9.9 W x 13.9 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$675

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ABOUT THE ARTWORK

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Be patient I drew live the statue of Ungyo, one of the two guardian statues of Kongo-rikishi, at the South Gate (Nandai-mon) of Todai-ji Temple, in Nara Prefecture. The hand with its fingers fully open on the statue of Agyo (previous post), which faces Ungyo, represents the beginning of the univer...

Year Created:

2025

Subject:

Mediums:

Drawing, Ink on Paper

Rarity:

One-of-a-kind Artwork

Size:

9.9 W x 13.9 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Japan.

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Contact us.

Need more information?

Contact us.
Takayuki Maejima

About the Artist

Takayuki Maejima

Japan

I am a Japanese artist based in Tokyo. I lived and worked in Barcelona from 2008 to 2024, and the experience of observing and drawing the city became central to my artistic practice.

My cityscapes are created entirely on location rather than from photographs. I am interested not only in recording what a place looks like, but also in preserving the atmosphere of a particular moment: the air, temperature, light, shadows, smells, and sounds. Standing within the scene allows me to choose my own frame and perspective while responding directly to what is happening around me.

I draw directly from life with permanent markers on paper, without making a preliminary sketch. Every line is final, so each stroke records both what I saw and the movement of my hand at that moment. In many works, I then add colour and depth with coloured pencils. The slight irregularities that arise through this process are an essential part of the finished drawing.

I also create landscapes and figurative works on an iPad, which allows me to respond quickly to fleeting changes in light and colour. As these works originate digitally, they are presented as art prints rather than unique works on paper.

In 2012, I began a project I call Everyday I draw Barcelona. It started as a daily visual diary and developed primarily between 2013 and 2016, with further drawings made until 2024. Over the course of the project, I created more than 1,300 drawings throughout Barcelona. Rather than concentrating on well-known landmarks, I was often drawn to ordinary street corners and spaces where the rhythms of local life could be felt. More than 100 original Barcelona drawings have been acquired by private collectors.

After returning to Tokyo, I began exploring a different form of physical presence in my work. Alongside my drawings on paper, I am now developing acrylic paintings on plywood panels measuring approximately 60 × 90 cm. Working indoors and on a larger surface allows me to expand my subject matter and explore new relationships between line, colour, material, and scale.

In 2023, I contributed illustrations to 2048×100=Barcelona: Cent veus per al futur d’una ciutat, published by Associació Antic Gremi Revenedors, 1447. In 2024, I was commissioned by the City of Barcelona to create an artwork commemorating FC Barcelona Femení’s UEFA Women’s Champions League victory.

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