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"One Tree for All. One Earth for All" Drawing

→ Olya Markovich, Serbia

Drawing, Ink on Paper

27.6 W x 19.7 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$540

→ Shipping Included

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This work was inspired by traditional Japanese woodblock prints, with their stillness and graceful lines. There is no conflict in the scene — different creatures share one space. This moment reflects a sense of unity that matters deeply to me, in a time when everything seems to pull apart, divide, a...

Year Created:

2026

Subject:

Mediums:

Drawing, Ink on Paper

Rarity:

One-of-a-kind Artwork

Size:

27.6 W x 19.7 H x 0.1 D in

Ready to Hang:

No

Frame:

Not applicable

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Serbia.

Customs:

Shipments from Serbia may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Olya Markovich

About the Artist

Olya Markovich

Serbia

I grew up in a family of artist-restorers. My parents met in Saint Petersburg while laying mosaic tiles in the Church of the Savior on Spilled Blood, restoring it from historic drawings. I came of age in the bohemian Petersburg of the post-Iron Curtain years — our home was always full of painters, performers, fashion designers, and filmmakers.
My brother and I drew constantly, but I never wanted to be an artist. My parents' friends who had devoted themselves to art seemed to me forever hungry, drunk, and alone. My mother made tea for everyone who came through our door — generous, yes, but I always craved solitude. I found it in drawing.
I studied at a design school throughout childhood and trained as a fashion designer, but never called myself an artist. Drawing was always a means to an end — a way to express an idea, never the point itself. Even when I sold my first painting at twelve, I kept not being an artist.
Now I live in Serbia, in emigration. When my daughter began preparing for design college here, I started drawing with her to help. Something shifted. I remembered that I am an artist of the third generation. For the first time, identifying myself through drawing felt not like a burden but like coming home. I draw the way one meditates — slowly, completely, over a single sheet of paper.

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