"Portrait 208" Drawing
Drawing, Charcoal on Paper
16 W x 20 H in
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$260
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This charcoal portrait is a capture of the emotion through facial expression, through bold and dramatic contrasts. The work reveals both vulnerability and intensity in the subject's gaze and contemplative expression. The monochromatic palette emphasizes the interplay of both light and shadow across ...
Year Created:
2026
Subject:
Mediums:
Drawing, Charcoal on Paper
Rarity:
One-of-a-kind Artwork
Size:
16 W x 20 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United States.
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Aaron Benjamin Cohen’s practice operates in the space between abstraction and figuration, where images hover at the threshold of recognition and meaning is produced through erosion, accumulation, and restraint. Working across painting and constructed surfaces, Cohen treats the image as a site of pressure rather than representation—an arena where systems of power, surveillance, labor, belief, and intimacy register indirectly through material decisions. His work often begins with latent or peripheral imagery—figures, vehicles, architectural fragments, or aerial viewpoints—but resists legibility, allowing forms to emerge only to be destabilized or withheld. This refusal of completion mirrors the ethical conditions he interrogates: distance as a mode of control, visibility as a form of violence, and abstraction as both protection and erasure. Color functions not as expression but as structure—layered, muted, or imposed—to test how authority enters a surface and whether it can be absorbed without resolution. Cohen’s paintings do not narrate events; they hold conditions. Meaning is not illustrated but earned through material negotiation, inviting viewers into a slowed encounter where ambiguity is not a lack of clarity, but the work’s primary intelligence.
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