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Drawing, Charcoal on Paper

16.5 W x 23.6 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$457

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

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This original charcoal drawing on paper, titled "Reputation” explores the depths of human emotion through the beauty of the nude figure. The artist's impressionistic style evokes a sense of intimacy and vulnerability, reminiscent of masters like Degas. The medium size allows easy framing and allows...

Year Created:

2026

Subject:

Mediums:

Drawing, Charcoal on Paper

Rarity:

One-of-a-kind Artwork

Size:

16.5 W x 23.6 H x 0.4 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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Contact us.

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Contact us.
James Shipton

About the Artist

James Shipton

United Kingdom

James Shipton is a contemporary British figurative artist working primarily in charcoal and oil.

His work explores the human form through expressive mark-making, movement and contrast, often balancing strength with vulnerability and definition with abstraction. Rather than simply depicting the figure, Shipton uses it to explore intimacy, emotion and psychological presence.

His distinctive charcoal drawings retain the raw energy of their creation, with bold lines, erased passages and exposed marks becoming an integral part of the finished work.

Shipton’s artwork is held in private collections internationally and has also been supplied for major film productions.

At the heart of his practice is a simple belief: the strongest artwork is the work that feels honest.

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