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"The Raven" Drawing

→ Tina Numberger, Germany

Drawing, Ink on Paper

17.3 W x 12.6 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$466

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→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


It's February and the trees and bushes are still bare and leafless. Nevertheless, two ravens have been courting in front of my studio window for a few days now, and it seems as if they want to build a nest. I created this drawing by printing a kitchen tile—which has always reminded me of vastness a...

Year Created:

2026

Subject:

Mediums:

Drawing, Ink on Paper

Rarity:

One-of-a-kind Artwork

Size:

17.3 W x 12.6 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Tina Numberger

About the Artist

Tina Numberger

Germany

born in Ludwigshafen Rhine/Germany
lives near Karlsruhe/Rhineland-Palatine/Germany
My artistic theme is and has always been nature. It fascinates me as an artist by its originality, and also by its diversity. As for the artists of the Romantic period, the nature surrounding me stands for the all-embracing being, gives me comfort and strength. Already during my studies of art I was enthusiastic about the viniculture in my home country. I wanted to portray the strict geometry with which the vines traverse the landscape. This is how I came to the linoleum printing technique, which is still my preferred printing technique today. In search of motifs, I often roam for hours through the forests of my homeland, collecting impressions, structures and special features. Then I return to my studio "charged" with impressions and process and vary them.

The development of my theme - whether it is a print or painting - is characterized by the question of the level of abstraction versus space-creating methods. How many perspective lines are necessary to communicate an impression of space? Where is it sufficient to have one in front and one behind the other? And where do I have to intervene creatively to guide the eye. Which elements must the representation contain, and which colour spectrum must I access in order to take the viewer to my emotional level?
Since two years now I am more and more occupied with digital drawing and painting. I would like to invite you to go this way with me.

Recognition:

  • Artist featured in a collection

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