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Drawing, Chalk on Paper
Size: 59.1 W x 78.7 H x 0.1 D in
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"The Time is Now" is a romantic illustration - it hints toward a different era of art-making: an era of extreme theatrical mise-en-scene. Every aspect being meticulously controlled to render the most dramatic effect. Clouds, impeccably placed in the shimmering sky of the sunset hour; rays of light traversing the foliage of handpicked palm trees placed for effect in the most optimal place on the composition. A gentle reminder of ancient times is present through the ruins of a Greek or Roman temple. All the elements are merging together to create a theatrical effect of beauty and harmony. The aim here is to rest the soul into a sense of comfort and familiarity - to please and to exude a balanced state of mind. This work of impressive proportions is made on paper and will require framing for proper exhibition.
2024
Chalk on Paper
One-of-a-kind Artwork
59.1 W x 78.7 H x 0.1 D in
Not Framed
No
Ships Rolled in a Tube
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Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
France.
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Being an adept of crude metaphors and not afraid to be emphatic about it, Dominic Virtosu is exploring the actuality and in-actuality of painting. With his solid work experience in the field of advertising, he is playing with its lively chaos of imagery and creates a sort of “peinture d’essai”. The artists’ desire to shock, to provoke, to hurt the retina, comes from his interior fracture: between revolt towards consumerist advertising and his simultaneous attraction towards its inexhaustible, toxic imaginarium. This is a painting style that is not “nice” nor is it “tame”. The artists’ meeting with Neo Rauch’s art and the neorealist movement at the Hochschule fur Grafik und Buchkunst in Leipzig under the tutelage of professor Annette Schröter has had a profound influence on his narrative style aș well aș on his technique. A Masters’ graduate at the Național University of Arts in Bucharest in the painting class of Professor Cătălin Bălescu, the artist has developped his own visual language made up of contemporary references, clues that he degrades in ironic and visual distopias („Memory Empty” - 2011, „See You Later” - 2019, “The Gathering – Bunny” - 2019, „Family” - 2021, "Good Vibes Only" - 2021 and “Fun Times” – 2022). Through the (de)valuing of iconography coded by advertisting, TV and influencers, Virtosu is enticing the viewer into a familiar and colorful screenplay. In works such as „Social Distancing” – 2021 – the artist sends a nod to the guru of art marketing - Jeff Koons’ „inflatables” series. The mystical dimension given to simulated success, is one of the themes that mirror the solitude and intimacy of the artists’ studio during quarantine. There is, of course, a lot of biographical material in these paintings. There’s the admission of a family that was profoundly hurt by the 50 years of communism in which they survived; this recollection is partially digested, in a cathartic, almost therapeutic way, in works such as „We come together” – 2019 and „The Ten Commandments” – 2019 – that are directly inspired by the vitality of the resistance in the countryside against the regime. The structural influence of Florin Ciubotaru is also to be found within the work – ridden of its’ post-surrealist networks and translated into an exhuberant chromatic expression, in the masterful textures that Virtosu is creating („Botanique Hypnotique”- 2019, "Pure Joy" - 2022, "Abstract Landscape" - 2019).
Artist featured by Saatchi Art in a collection
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