"Winter Demon in the Approaching Spring" Drawing
Drawing, Ink on Paper
11.8 W x 16.5 H in
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$1,815
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ABOUT THE ARTWORK
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Winter Demon in the Approaching Spring belongs to Zettl’s early gestural works in which abstract marks begin to suggest figures and imagined creatures. Rapid ink gestures form an unstable presence that can be read as a body, a creature or the “winter demon” of the title. The figure is never complet...
Year Created:
2021
Subject:
Mediums:
Drawing, Ink on Paper
Rarity:
One-of-a-kind Artwork
Size:
11.8 W x 16.5 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Austria.
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My work brings together two artistic traditions that have shaped my life: European modernism and the art of the Chinese brush. After early experiments with Expressionism and Surrealism, my years of study in China fundamentally changed the way I understood painting. Ink, paper and calligraphy gradually became central to my practice.
Today I work primarily with ink and mixed media on paper, moving between gestural abstraction, contemporary calligraphy and surreal, sometimes landscape-like forms. I am interested in the moment when control gives way to spontaneity: a brushstroke cannot be taken back, and an accidental mark may become the starting point for an entire composition.
Empty space is as important to me as the painted form. Rather than filling the surface, I try to create tension between gesture and stillness, density and openness, intention and chance. My background in Chinese painting and calligraphy remains present in this approach, but I do not attempt to reproduce traditional Asian art. I use its principles as part of a contemporary visual language shaped equally by my European experience.
Ultimately, I want the paintings to remain open. They may suggest landscapes, figures, dreams or fragments of memory, but I prefer not to determine what the viewer must see. The work begins with my gesture; its meaning is completed by the person looking at it.
Recognition:
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