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"fragment" Drawing

→ Marilina Marchica, Italy

Drawing, Charcoal on Paper

19.7 W x 25.6 H in

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$1,230

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ABOUT THE ARTWORK

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fragment mineral oxide on paper 65x50 cm 2021 A series of Arworks not to forget the 1968 Belìce earthquake, was a violent seismic event, of magnitude 6.4 moment, which in the night between 14 and 15 January 1968 hit a large area of western Sicily, the Belìce Valley, between the provinces of Trapan...

Year Created:

2021

Subject:

Mediums:

Drawing, Charcoal on Paper

Rarity:

One-of-a-kind Artwork

Size:

19.7 W x 25.6 H x 0.8 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

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Contact us.

Need more information?

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Marilina Marchica

About the Artist

Marilina Marchica

Italy

Biography
Marilina Marchica (b. 1984, Agrigento, Italy) is a visual artist who lives and works in her hometown. She graduated in Painting from the Academy of Fine Arts in Bologna and studied at the Polytechnic University of Valencia. Her work has been exhibited in solo and group shows throughout Italy, including FAM Gallery, San Sebastiano Contemporary, Spazio Hus, and major art fairs like Roma Arte in Nuvola. Marchica's artworks are included in both public and private collections in Italy and abroad.

Artist Statement
Marilina Marchica’s artistic research explores the relationship between memory, landscape, and time. Through a process of subtraction and abstraction, she focuses on the material and symbolic traces left on architectural forms and fragile territories. Walls, ruins, and eroded surfaces become metaphors for human presence and absence—signs that silently reveal the transformation of places. Her practice moves between painting, mixed media, and installation, often incorporating ancient papers, textures, and pigments that evoke a poetic archaeology of space.

Recognition:

  • Featured in the Catalog

  • Artist featured in a collection

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