"Rinoceronte" Artwork
Mixed Media, Acrylic
49.2 W x 29.5 H in
Ready to Hang
$2,439
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Rinoceronte is a white rhino. Since they are on the brink of extinction, I gave him shelter in my Carnevale series. I wanted to create works that make me smile and lighten up my heart when I see them. This series is very easy going, made of cardboard, confetti, and most of all, bright and fun colors...
Year Created:
2021
Subject:
Styles:
Mediums:
Mediums:
Mixed Media, Acrylic
Rarity:
One-of-a-kind Artwork
Size:
49.2 W x 29.5 H x 0.8 D in
Ready to Hang:
Yes
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Italy.
Customs:
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Born in Italy in 1970. I studied literature in Rome, surrounded and immersed in classical art and architecture. I worked in the Archaeological Museum of Sperlonga and have been captivated by the greatness of classical art and the power of mythology. There, I have learned the principles of sculpture and restoration: recreating an object from its fragments is an experience that marked my life as an artist.
I can't limit my expression to a specific material, support or technique. I often use wood, fabric, paper, wax, prints, Plexiglas, resins and metal, or photography.
I like transfigure elements of reality into symbols, in a sort of restoration and recreation, leading several possible interpretations.
The appropriation of certain objects, or their creation, are a similar approach of decontextualization, which proposes a reflection on the context, surrounding the work itself.
Nothing is fortuitous, I proceed by synthesis and subtraction, eliminating unnecessary material and ideas, and trying to avoid forms and concepts that are not stimulating.
My work is to arrange elements, images and evidence of reality, and attributing to the resulting object the status of a real and tangible object.
Recognition:
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