
Mixed Media, Paper
8 W x 8 H in
Ready to Hang
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"Zip" used U.S. postage stamps & resin on cradled wood panel 8” x 8” (20 cm) 2021 This piece was made with used U.S. postage stamps issued in 1974, reminding people to use a Zzip code on their mail.The beautiful pattern created by the overlapping stamp images and "Zip" text, makes this piece ve...
Year Created:
2021
Subject:
Mediums:
Mixed Media, Paper
Rarity:
One-of-a-kind Artwork
Size:
8 W x 8 H x 0.8 D in
Ready to Hang:
Yes
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United States.
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Contact us.About | b.1968
Jordan Scott is an award winning Chicago based artist and photographer. Represented by art galleries nationwide, he also taught photography at several prestigious art centers in the Chicago area and at Robert Morris University. His mixed-media artwork pays homage to his beliefs in the interconnectedness of the universe and inspired by theories of the collective unconscious and Scott’s 35 years of martial arts training and teaching. He received a degree in Religious Studies from Indiana University and a Full Certificate from the Chicago Photography Academy.
Artist Statement
When I was young, my mother took me to a press proofing for a printed product advertisement. Looking into the glass loop, I was amazed to see that the seemingly solid colors were actually tiny individual dots. Sometime later, while visiting the Art Institute of Chicago, I encountered Georges Seurat’s, A Sunday on LA Grande Jatte, and was introduced to the technique of pointillism.
I often use, or reuse, materials outside their normal context and that can be acquired in large quantities. This allows me freedom from overthinking the materials or the process, which is one at a time construction with great repetition. Currently, I am using cancelled postage stamps as my primary medium.
Where did they originate? Who sent them? What letters did they carry? Each used and canceled postage stamp has a hidden history of its own. Each small stamp represents this unknown story and the expanded web that it was once connected to. My artwork touches on both the individual and the collective, on both the original sender of each correspondence and the society as a whole.
I am also influenced by Carl Jung’s theory of the collective unconscious and the interconnectedness of the universe and its correspondence to several schools of eastern thought and mysticism. The postage stamp pattern fields are my interpretation and reinvention of mandalas, or meditative microcosms.
The resin, like liquid glass, helps to create and hold together this interconnectedness of the individual elements and at the same time heightens and helps to clarify and define their qualities. Like the ink dots I discovered under the loop, or Seurat’s paint spots, the layered stamps create a blended whole connecting the hundreds or thousands of singular parts.
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