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Desolation Row Painting
United States
Painting, Acrylic on Canvas
Size: 36 W x 24 H x 1.5 D in
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About The Artwork
This compelling piece derives from the opinion that derelict and distressed buildings are often more interesting than well-kept examples. Here the boldly textured underpainting is used as an important part of the composition, and the detail is minimal to allow the inherent ambiguous quality to remain obvious. The color palette is not naturalistic but dependent on the painting's needs. The surface of my works is textured, partly from the way in which I prepare the surface, and partly due to the style of painting, with thick paint applied with energy. This is deliberate, as I want to create works in which the "hand of the artist" is evident. Soft lighting is important when hanging, enhancing the color and energy, and minimizing the surface texture. The sides are white and the work arrives ready to hang.
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:36 W x 24 H x 1.5 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
I have been interested in art since childhood. Following art school, I have spent over 30 years as an advertising/graphic design professional. About 6 years ago I was able to begin painting again in earnest. My particular artistic journey began with an abiding interest in Fauvist landscape, especially those of Andre Derain and Maurice de Vlaminck. Bold color, expressive brushwork, and simplified drawing were also the hallmark of my work at that time. As other influences came to bear, including the German expressionists, the Blue Rider group, and individual artists such as Paul Serusier and Grace Hartigan, my work has been moving inexorably toward abstraction.
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