130
"Lost In My Direction" Painting
Painting, Acrylic on Paper
112.2 W x 39.4 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
$4,045
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Long mixed media on solid non woven paper 100 x 285 cm (39,37'x112,20'). Can be framed or pinned directly on the wall and it can be also hung on the vertical side. Delivered rolled in a tube. +++ Advice: It is possible to frame the artwork or to pin it directly to the wall like a poster or even to...
Year Created:
2017
Subject:
Styles:
Mediums:
Mediums:
Painting, Acrylic on Paper
Rarity:
One-of-a-kind Artwork
Size:
112.2 W x 39.4 H x 0.1 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
France.
Need more information?
Contact us.Need more information?
Contact us.
The work of Marijah Bac Cam questions the Memory of the Living through the Languages of the Feminine Principle (creative principle of Nature) by means of drawing, painting and increasingly photography and video.
What does this chaos of fullness and emptiness mean, enhanced with dots, curves, golden wefts and gestural writing?
In the artist's painting we perceive a Living being organized before our eyes, starting with the diffusion of black ink. These dark masses mingle with another color to symbolize the different elements, air, water, fire, earth, ether. Suddenly an organic mesh forms on the surface, connected to the misty depth. It is a question of reversal, as if to lead our gaze towards an inner world, that of the organs, tissues, vessels of an unrepresented body. These drawings express more sensibly an intuitive word in a vegetal and vibratory atmosphere that are our buried memories. They are the representation of the original past in a form that is no longer mental but metaphorical.
Graffiti sometimes float here and there, like a palimpsest as if to inscribe a forgotten verbal dimension and question the meaning of forms.
Her work evokes images that are almost figurative but difficult to identify. It's a question of everyone's point of view, seen from the sky or underwater, in macro or even in a wide shot. This collective memory seems to define and tell terrestrial and extra-terrestrial landscapes.
Does Nature have a universal language that hides in our memory?
Recognition:
Featured in the Catalog
Showed at the The Other Art Fair
Artist featured in a collection
Art in the same spirit
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