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"METAMORPHOSIS ONE" Painting

→ Paolo Carraro, Italy

Painting, Acrylic on Canvas

15.7 W x 15.7 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$1,080

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This painting is constructed from intersecting geometric shapes, each containing elements of a square, triangle, and circle. Portions of these shapes appear visually folded back, creating a dynamic sense of depth that reflects a state of transition. As the planes shift and overlap, the sharp angles ...

Year Created:

2019

Subject:

Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

15.7 W x 15.7 H x 0.2 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Paolo Carraro

About the Artist

Paolo Carraro

Italy

"I was born near Venice, in 1946, but lived, studied, and worked in London for 44 years. Recently, I moved back to Italy, settling in the Lombardy region near Milan.
My passion for art began at the early age of six.
During my formative studies at the Byam Shaw School of Art in London (1983/86), I discovered H.E.Huntley’s book, "The Divine Proportion: A Study in Mathematical Beauty". Captivated by its concepts, I decided that my future artwork would always be structured around these principles.
I also established two structural rules for my practice: first, to use only the three primary colours—Yellow, Cyan, and Magenta—along with Black and White to alter their value, rather than relying on pre-mixed paints. Second, to limit my compositions to three dominant shapes—the Square, the Triangle, and the Circle—occasionally incorporating the five Platonic solids."

Recognition:

  • Artist featured in a collection

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