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"Medical Problems" Painting

→ Peter Illig, United States

Painting, Oil on Canvas

36 W x 24 H in

Framed, Ready to Hang

$1,082

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


A painting with 3 parts: spaghetti quoted from a James Rosenquist painting, a 1960s paperback cover illustration of a perverse doctor frightening his beautiful female patient, and a 1950s housewife in the kitchen. "Medical Problems" for sure.

Year Created:

2008

Subject:

Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

36 W x 24 H x 2 D in

Ready to Hang:

Yes

Frame:

Brown

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Contact us.

Need more information?

Contact us.
Peter Illig

About the Artist

Peter Illig

United States

Peter ILLIG is known for his complex paintings that walk a line between post-modern semiotics and traditional illustration. Involved in Denver's art scene, producing thought-provoking oil paintings composed of layered images mixing color with black-and-white. Dubbed by the press as a "neo-pop surrealist," and "one of Denver's best artists." Peter Illig's works are analogies for human emotions and experiences, American psychological landscapes reflecting how we think of several things at once. He layers images borrowed from film, TV, cyberspace, and his own experience like a coded language of symbols to express his ideas and feelings. This search through the stuff of the world, matter and flesh, is inherently erotic. And so is the act of drawing and painting. These meanings and objects intersect and overlap in life, and in Illig's art. Where does one object end and another begin? Where does one idea end and another begin to form? Can theory become visual? These and other questions are presented in Illig's work.

Recognition:

  • Artist featured in a collection

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