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"Retrieval System" Painting

→ Anisony Studios, United Kingdom

Painting, Watercolor on Paper

15 W x 11 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$190

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


An impossible machine that can never be built manufacturing thoughts that can never be understood - or that's what it conjures in my mind. The painting's dynamic composition, with its sweeping arcs and intersecting lines, suggests the blueprint of an extraordinary apparatus—a hypothetical engine of ...

Year Created:

2024

Subject:

Mediums:

Painting, Watercolor on Paper

Rarity:

One-of-a-kind Artwork

Size:

15 W x 11 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Anisony Studios

About the Artist

Anisony Studios

United Kingdom

Plein air mindscape painting probably best encapsulates my approach to the abstractions I create.
Whilst it might sound pretentious, it’s the best way to describe my process, I feel.
I’ve been a keen plein air landscape painter for ten years or so in an impressionistic realist style which I enjoy a great deal and am accomplished at.
I’ve more recently started experimenting with watercolour in a more controlled local environment but conversely allowing the paint to be more unconstrained and, therefore, driving the process. However, I still approach the final image making with an effort to problem solve using the same methodology to an outdoor painting such as, is the composition engaging but balanced, do the colours work harmoniously, is there a full range of values and would I be proud to hang the finished piece on my wall?
If the answer is yes to all of these then I believe I have created something of equivalent value to a successful plein air painting but this has been achieved by exploring the landscape within and without so much of the conscious ‘me’ being involved in the undertaking.

All my work is produce on high quality 140lb cotton paper, I embrace wet-on-wet to produce an initial delicate ground and then build on increasingly dryer layers to add visual weight.
Concurrently, I also am mindful to work from big shapes to medium to small in a disciplined order and I’m careful to reserve light areas at the beginning to allow the darker final layers to create a delicately balanced contrast.

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