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"The First Fall" Painting

→ Samuel Prophask Asamoah, Ghana

Painting, Acrylic on Canvas

24 W x 36 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$2,645

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ABOUT THE ARTWORK

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Every religion has its origin. Depiction of legends and characters in the various religious historical events are mainly influenced by the culture or the society in which the religion was originated from. Currently, most religion had spread beyond borders of their country of origin. Nevertheless, th...

Year Created:

2009

Subject:

Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

24 W x 36 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Ghana.

Need more information?

Contact us.

Need more information?

Contact us.

Samuel Prophask Asamoah is a Ghanaian contemporary artist whose practice is rooted in versatility and material exploration. He works across painting, sculpture, and installation. His artistic journey began at an early age through observational drawing inspired by the natural environment. He is currently a PhD student at Kwame Nkrumah University of Science and Technology in Kumasi, Ghana, where he also earned his MPhil and Bachelor of Arts degrees.
Asamoah’s practice is distinguished by a dynamic engagement with diverse media and forms, navigating abstraction, realism, and surrealism. His practice engages themes of ecological sustainability and articulates dialogue between waste and aesthetic value through the transformation of discarded materials. Working at the intersection of art and environmental consciousness, he recontextualizes waste into compelling visual narratives that interrogate consumption, material afterlives, and cultural memory.
Bridging temporal and cultural contexts and belief in the interconnectedness of all Earth’s diversity, Asamoah employs layered iconography to construct compositions that speak to harmonious coexistence, inclusivity, and shared human experience. This synthesis positions his work within a transcultural and transnational framework. His works not only challenge conventional perceptions of value and waste but also propose alternative aesthetic and ecological possibilities. He maintains that art should document both the tangible and intangible dimensions of culture and emphasizes the importance of audience engagement, inviting viewers into immersive, participatory experiences. His works have been exhibited both in Ghana and internationally, resonating with diverse audiences and collectors.

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